Curatorial Projects




To curate is to attend, to take care of.
It is to work with space as something living and relational,
shifting and changing, much like the body.

























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Body in Motion — Room Edition. Edinburgh College of Art Graduate Show, May 2026.



In Motion refers to the body, space, behaviour, 
and exhibition as something never fixed,
always shifting through interaction.

 GradShow Website - click here

Awarded the Andrew Grant Bequest 2026
















.
Panopticon Concept from Tony Bennett, ‘The Exhibitionary Complex’, in The Birth of the Museum: History, Theory, Politics (London: Routledge, 1995).













Body Within
the Institution



My practice begins with the body as something shaped by experience, holding traces of memory and coping mechanisms that influence how it moves and behaves. It is not fixed, but continuously questioned and reconstructed. I approach the exhibition space in the same way, treating the room as a body in construction: open, unfinished, and changing.

Drawing on the idea that institutions subtly discipline behaviour, this installation both uses and disrupts these structures. A table and chairs invite gathering, but also suggest how to behave. The work holds this tension, encouraging awareness of how bodies are shaped within space














































Fitting under the sink, 
within Body in Motion,
2026




































































 There are bodies in the room
How does one move?
How should one move?
2026




Body in Motion